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NEITHER HERE NOR THERE

TRAVELS IN EUROPE

Having groused his way across America in The Lost Continent (1989), Bryson (The Mother Tongue, 1990) now turns his attention to Europe. If it is any consolation to Americans, Bryson, an ex-midwesterner who has lived in England for the past 15 years, finds almost nothing to praise between the Arctic Circle and the Bosporus. Bryson's crankiness could have proved amusing—after all, Mark Twain's did in Innocents Abroad—but the humor here is meanspirited and juvenile (in Copenhagen, a hung-over Bryson notes that "I needed coffee the way Dan Quayle needs help with an I.Q. test"), with defecation, flatulence, and eructation far too often figuring into the comic repertoire. Nor do original insights abound as Bryson retraces the steps of a journey he took two decades before, traveling from Norway to Istanbul, stopping at many of Europe's capitals (Paris, Brussels, Stockholm, Rome, etc.) along the way. He offers such comments as: "Parisians are rude," "Swedes are heavy drinkers," and "the Swiss are dull and conventional." Consistency is not Bryson's strong suit either. While in Naples, for instance, he complains, "I found...mean, cavernous, semipaved alleyways with...washing hung like banners between balconies that never saw sunlight." Yet when he reaches modern and manicured Milan, he pines, "I wanted pandemonium and street life...washing hanging across the streets." Meanwhile, lines like "let's be frank, the Italians' technological contribution to humankind stopped with the pizza oven" are also no help. Smart-alecky and obvious, with the wit of Bryson's first two books curdled into waspishness.

Pub Date: Feb. 18, 1992

ISBN: 0380713802

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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