Washington brilliantly commits to his style and preoccupations in a novel about the often winding journey to family.
Food, family, and sex drive this intimate novel about the difficult search for true connections.
After the tragic death of his boyfriend, Cam returns to Houston adrift, struggling with drug and sex addiction, and often seeing Kai’s ghost. He gets a job as a bartender and finds himself pulled into the life and family of TJ, his former best friend, from whom he had drifted. Cam’s grief and TJ’s resentment keep them from fully reconciling, while Cam’s addictions slowly overpower him. Readers of Washington’s other work will find a familiar style and themes here. There are several narrators who tell the story in sections, some as short as a sentence or two. The characters are rarely alone but feel isolated or alienated from their families. For a book driven by dialogue, the characters often talk at a slant, not quite saying what’s actually on their minds. The characters are part of both biological and built families. Cam and TJ grew up together and are closer than brothers. Co-workers aren’t just colleagues, but members of a family focused on achieving something together, whether that’s hanging on to one of the last gay bars in a fast-gentrifying Houston neighborhood or nourishing body and soul in TJ’s family bakery. Grief over Kai’s death creates another network. Characters find themselves pushed and pulled from their families in an often futile attempt to get away. The many families in the book are brought together through the act of cooking, and few writers bring food to life like Washington. When things are going well, the kitchens here are humming. People know exactly where everything is located, the cooks communicate almost telepathically, and the reader can nearly taste the food. Thankfully, Washington luxuriates in descriptions of smells, tastes, and textures without letting the narrative get bogged down. Many of the characters are happiest when they’re cooking or eating because that allows them to communicate without the burden of words. As Kai says, “My family taught me the difference between acceptance, allowance, and understanding. Also: just being. Sometimes they overlap. Usually, they don’t.”
Washington brilliantly commits to his style and preoccupations in a novel about the often winding journey to family.Pub Date: Oct. 10, 2023
ISBN: 9780593421093
Page Count: 320
Publisher: Riverhead
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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