A beautifully designed, poetic historical picture book.
Reese chronicles a little-known trip that Martin Luther King Jr. and Coretta Scott King took to India in this children’s picture book.
In 1959, the Kings traveled from Montgomery, Alabama, to India. Martin had long been inspired by the teachings of Gandhi and the nonviolent movement he led: “Gandhi’s teachings took root in Martin’s heart, blooming strong and bright like royal sunflowers!” For more than a month, the Kings traveled through India, hoping to learn more as they toured the land where Gandhi had made such a difference; they did not expect to be greeted with cheers and treated like celebrities. Prime Minister Nehru thanked them for their freedom fighting, and college students gathered to learn about their activism. Reese’s poetic text guides readers through the wonders of the journey. The digital illustrations are based on photographs, stylizing the images to soften the edges and give them a somewhat abstract feel. The result makes the journey seem almost fantastical, a moment of magical connection. While many of the original photographs are in black and white, Reese’s design work floods the pages with colors and patterns, always complementing the text without overpowering it. Quotes from Gandhi’s teachings are peppered throughout. This historic moment of joy and celebration offers an uplifting look at two nations striving for a better future.
A beautifully designed, poetic historical picture book.Pub Date: Jan. 25, 2024
ISBN: 9798218968786
Page Count: 34
Publisher: Bea and Jo Press
Review Posted Online: Jan. 28, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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