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IN THE DREAM HOUSE

A fiercely honest, imaginatively written, and necessary memoir from one of our great young writers.

In this daringly structured and ruthlessly inquisitive memoir, Machado (Her Body and Other Parties, 2017) examines an abusive relationship with an eye to both personal truth and cultural assumption.

The author begins with a declaration. “I speak into the silence,” she says. “I toss the stone of my story into a vast crevice; measure the emptiness by its small sound.” She is writing to record her experience of queer sexuality and intimate psychological violence; by telling her story, she's committing its existence to history. History has largely ignored the queer experience, particularly the existence of domestic abuse between queer women. As Machado points out, when you are invisible from the collective narrative, it is harder to imagine what your own feelings mean. The relationship at the heart of this memoir is resurrected with visceral potency. Instead of tracing her past with linear continuity, the author fractures it, diving into beautifully or painfully remembered moments with a harrowing emotional logic. As Machado recounts, she fell in love with a woman who seemed wonderful—they had sex, went on road trips, met parents—but who eventually became oppressively terrifying. In other sections, the author recounts an episode of Star Trek: The Next Generation and illuminates the imagery of abuse in two films by George Cukor. Machado uses slippery changes in point of view and a knack for translating emotion into concrete sensation to slide readers into her space, where they experience the fear and confusion of abuse from the inside. She applies the astonishing force of her imagination and narrative skill to her own life, framing chapters with storytelling motifs (unreliable narrator, star-crossed lovers, choose-your-own-adventure) and playful footnotes. Occasionally, the various parts muddle each other’s trajectories, but the heart of this history is clear, deeply felt, and powerful.

A fiercely honest, imaginatively written, and necessary memoir from one of our great young writers.

Pub Date: Nov. 5, 2019

ISBN: 978-1-64445-003-1

Page Count: 264

Publisher: Graywolf

Review Posted Online: July 7, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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