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I YAM A DONKEY!

This attempt to bring levity to an already-difficult grammar task for children just tangles the situation further.

A stern yam corrects a grammatically challenged donkey.

Beginning a muddled and maddening who’s-on-first routine, with enough back and forth to make youngsters’ heads spin, a donkey proudly proclaims, “I yam a donkey!” However, a nearby yam disagrees. “The proper way to say that,” it admonishes, “is ‘I am a donkey.’ ” To which the donkey incredulously replies, “You is a donkey, too?” The poor, foolish donkey never quite figures out which form of “to be” to use, and the small, bespectacled yam grows increasingly frustrated. When a cluster of vegetables—green beans, a turnip, and a carrot—comes along (and introduces new pronouns), the donkey has a grand realization. Sadly, it’s not about grammar but about…lunch! The moral, as Bell explicitly states in the end, is: “If you is going to be eaten, good grammar don’t matter.” Parents, teachers, and librarians may cringe. Kids not yet literate enough to recognize the visual difference between “yam” and “I am” will likely be too confused to care. The homophonic nuance is not a familiar language problem (unless you are Popeye), so many readers will not get the chance to rise above and see any humor—in either correcting the donkey or being invested in the joke.

This attempt to bring levity to an already-difficult grammar task for children just tangles the situation further. (Picture book. 5-8)

Pub Date: June 2, 2015

ISBN: 978-0-544-08720-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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THE TRUTH ABOUT THE COUCH

Funny and thought provoking.

The hidden history of one of the world’s most popular pieces of furniture.

An anthropomorphized fox in a purple jacket and green pants stands on a stage, showcasing various kinds of sofas and what they’re used for: eating, sleeping, dance parties, and sliding down pillows. Just as the fox is about to provide a demonstration of that last activity, complete with a drawing, an opossum in a gray pinstriped suit emerges: “You can’t show that to children! Someone could break their neck!” Using a tape dispenser–like machine, the opossum covers up the offending image with a black censor bar. The fox continues to expose “truths” about couches: Some of them grow on farms (“Where do you think we got the term couch potato?”); they have an insatiable hunger, which leads to objects disappearing among the cushions; and some are actually aliens in disguise. The opossum is skeptical, but when a chaotic parade of couches enter the scene to prove the fox right, the opossum is forced to reconsider. This is a hilarious send-up of conspiracy theories and adults’ attempts to shelter children from the real world. Depicting elegantly attired creatures, Liniers’ muted artwork contrasts humorously with the surreal scenarios depicted. The dialogue between the fox and opossum is entertaining, but grown-ups might want to pre-read before read-alouds to avoid tripping over some phrasing (e.g., “secret elite couch enforcement squadron”).

Funny and thought provoking. (Picture book. 5-8)

Pub Date: April 23, 2024

ISBN: 9780593619131

Page Count: 48

Publisher: Putnam

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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