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LIVING WITH OUR DEAD

ON LOSS AND CONSOLATION

Horvilleur's deep reflections on mortality remind us that “in death a place can be left for the living.”

A collection of essays meditating on the relationship between life and death.

As one of the only female rabbis in France, Horvilleur, the leader of the Liberal Jewish Movement of France, is accustomed to playing a part in the transition between life and death. “Yet as the years go by,” she writes, “it increasingly seems to me that the profession closest to mine has a name: storyteller.” In the 10 essays that make up her latest book, the author thrives in this role, interweaving biblical stories with those about the lives and deaths of ordinary people, including a woman who planned and attended her own funeral, and public figures such as Simone Veil. Though some of the pieces are fairly anemic, their loose ends getting lost in the complex combination of stories, they all aim to show how life and death are more closely related than we like to think. “Life makes its presence felt in the very moment that precedes our dying and until the end seems to be saying to death that there is a way of coexisting,” writes Horvilleur, reflecting on the first time she saw a dead body. “Perhaps this cohabitation doesn’t in fact need to wait for death. Throughout our existence, without our being aware of it, life and death continually hold hands and dance.” Drawing from her experiences as a secular rabbi, the author shares significant wisdom, illuminating well-known biblical stories and translating even the most difficult experiences of loss—e.g., the death of a child. “Death escapes words, precisely because it signals the end of speech,” Horvilleur writes. In these thought-provoking, occasionally disjointed essays, she shows how it is possible to find language even for that which seems indescribable.

Horvilleur's deep reflections on mortality remind us that “in death a place can be left for the living.”

Pub Date: May 7, 2024

ISBN: 9781609457952

Page Count: 160

Publisher: Europa Compass

Review Posted Online: Feb. 10, 2024

Kirkus Reviews Issue: March 15, 2024

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UNCOMFORTABLE CONVERSATIONS WITH A JEW

An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.

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Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.

Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.

An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.

Pub Date: April 30, 2024

ISBN: 9781668057858

Page Count: 256

Publisher: Simon Element

Review Posted Online: March 13, 2024

Kirkus Reviews Issue: April 15, 2024

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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