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THE YOUNG TEACHER AND THE GREAT SERPENT

From the Stories From Latin America series

Undeniably marvelous.

A convergence of traditions emerges when a young teacher joins an Indigenous community living beside the Amazon River.

Fresh off her studies, a young woman from the city reluctantly prepares for her first teaching assignment, at La Comunidad Las Delicias, where about 50 Indigenous families live. Her journey from the city to Las Delicias takes four days. Finally, she arrives at the village. Palomino’s panoramic artwork depicts the remarkable trek by featuring a series of expansive, formidable, lushly colored double-page spreads. The teacher settles into the ramshackle school with help from the children. Her treasured books are “the only things that [make] her feel sure of herself.” When a fearful storm brews one day, the students tell the teacher that the great serpent is coming. At first, she dismisses the warnings as mere legends, but as she heads to high ground with the rest of Las Delicias, she sees the river become “a great serpent of mud that carried off everything it found in its path,” including her books. To mend the young teacher’s heartbreak, the women and children of Las Delicias embroider and sew together cloth books, uniting their own stories and legends into a reforged library. Translated from Spanish, this is a gracefully told tale of cross-cultural dialogue, bolstered by stunning illustrations. A subtle, incisive rumination on the repercussions of colonization runs through the work, inviting further rereads. (This book was reviewed digitally.)

Undeniably marvelous. (Picture book. 5-9)

Pub Date: Oct. 10, 2023

ISBN: 9780802856173

Page Count: 40

Publisher: Eerdmans

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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