A sugar rush
In their third comic adventure, the BroBots and their cousins must save a “Snow White”–inspired pop star.
The three BroBots, a team of lovably goofy robots that have the superpower to join together to form a Voltron-esque superbot, have met up with their cousins Barbara AnnDroid and Mary AnnDroid to go see beloved pop princess Starlite in concert. Shenanigans ensue when the BroBots first realize that they misplaced the tickets and then are separated from their impatient cousins. When the group reunites, they discover that Starlite—a manga-imagined version of Disney’s depiction of Snow White—has been poisoned and is in a deep sleep. The quintet must battle a not-too-scary interplanetary villain, the Moonster, to then save the day and ensure that the show will go on. In addition to his prolific career writing comics, Torres has a background in writing media tie-ins, the spirit of which percolates through this peppily episodic offering that, like an animated show, is jam-packed with action although not particularly substantive. The panels are accessibly large and as brightly colored as a box of crayons, peppered with dialogue filled with puns and wordplay sure to elicit chuckles from younger readers and emerging manga aficionados. This installment stands alone well and could comfortably be read in a single sitting; hand this easily digestible volume to those who swear to prefer animated TV shows over reading.
A sugar rush . (Graphic fantasy. 5-10)Pub Date: Aug. 14, 2018
ISBN: 978-1-62010-521-4
Page Count: 40
Publisher: Oni Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
BOOK REVIEW
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What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
BOOK TO SCREEN
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