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SMOKE KINGS

A provocative, page-turning treatment of racism in America.

Following the murder of his teenage cousin Darius, young Black political activist Nate Evers devises what his friend Isiah calls a “crazy-ass reparations scheme.”

Along with Darius’ older brother, Joshua, and their friend Rachel, Nate and Isiah track down descendants of men who committed hate crimes in the South decades ago, abduct them, and teach them a fatal lesson. One of their victims is a man inaptly named Chipper whose forebears lynched a formerly enslaved man who’d been wrongly imprisoned for raping a white woman. Following the disappearance of Chipper, who was known for having torn down a memorial to the hanged man, the avengers are pursued by Chipper’s brother, Samuel, “a cross-burner with psychosis” who leads the white supremacist Righteous Boys. Nate and his mates, who gradually begin to differ over their aims and methods, are also pursued by Mason Farmer, a former white Birmingham cop with a racist streak. He went to work for a private investigative firm so he could afford the prescription drugs his wife needed after having been badly traumatized by a gang of “homeboys” who forced her off the road. There’s nary a moment in Mayfield’s bravura debut that isn’t tense and unsettling or lets readers off the hook. Inspired by Black activist Kimberly Jones’ fiery video, “How Can We Win?,” this politically charged crime novel refuses to settle for easy answers, or easy anger. “We’re doing Darius a disservice making this just about terrible white people,” Isiah argues. One white character asks Nate, “How can there ever be any meaningful change if it’s your people and my people?” He replies, “Race is a complex issue.” That complexity has rarely been captured as powerfully or affectingly as it is here.

A provocative, page-turning treatment of racism in America.

Pub Date: Feb. 6, 2024

ISBN: 9781685891114

Page Count: 400

Publisher: Melville House

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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