Lovely: a fairy tale for grown-ups, both partaking in and departing from a rich literary tradition.
A lyrical, allusive (and elusive) voyage into the mists of British folklore by renowned novelist Ishiguro (Never Let Me Go, 2005, etc.).
There be giants buried beneath the earth—and also the ancient kings of Britain, Arthur among them. Ishiguro’s tale opens not on such a declaration but instead on a hushed tone; an old man has been remembering days gone by, and the images he conjures, punctuated by visions of a woman with flowing red hair, may be truthful or a troubling dream. Axl dare not ask his neighbors, fellow residents of a hillside and bogside burrow, for help remembering, “[f]or in this community, the past was rarely discussed.” With his wife, who bears the suggestive if un-Arthurian name Beatrice, the old man sets off on a quest in search of the past and of people forgotten. As it unfolds, Axl finds himself in the company of such stalwarts as a warrior named Wistan, who is himself given to saying such things as “[t]he trees and moorland here, the sky itself seem to tug at some lost memory,” and eventually Sir Gawain himself. The premise of a nation made up of amnesiac people longing for meaning is beguiling, and while it opens itself to heavy-handed treatment, Ishiguro is a master of subtlety; as with Never Let Me Go, he allows a detail to slip out here, another there, until we are finally aware of the facts of the matter, horrible though they may be. By the time the she-dragon named Querig enters the picture, the reader will already well know that we’re in Tolkien-ish territory—but Tolkien by way of P.D. James, with deep studies in character and allegory layered onto the narrative. And heaps of poetry, too, even as forgetfulness resolves as a species of PTSD: “I was but a young knight then….Did you not all grow old in a time of peace? So leave us to go our way without insults at our back.”
Lovely: a fairy tale for grown-ups, both partaking in and departing from a rich literary tradition.Pub Date: March 3, 2015
ISBN: 978-0-307-27103-7
Page Count: 320
Publisher: Knopf
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PROFILES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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