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WE'RE GOING ON AN EGG HUNT

Intriguing illustrations, classic story structure, and irresistible rabbits add up to a winning Easter-themed treat.

Four rabbits hunt for Easter eggs in this variation on the familiar children’s call-and-response game about going on a bear or lion hunt.

The attractive cover shows the quartet of rabbits, with three adults and one baby bunny, as they set out on their hunt through a farm and surrounding countryside. The design features double-page spreads with flaps that conceal tiny animals and Easter eggs, numbered in order. These spreads alternate with scenes showing different groups of animals that the rabbits must pass among as their egg hunt continues. With each group met, the simple text includes the familiar refrain: “Can’t go over them. Can’t go under them. Can’t go around them. Got to go through them….” This continues until the rabbits find a huge, blue egg, which folds down to reveal a wolf. “Ruuuuuuuuunnnn!” Back through the ducks, bees, chicks, and lambs, until the rabbits reach their own cozy house and slam a flap door to keep the wolf out. Lunch is chocolate Easter eggs, of course. Vibrant, pastel-hued illustrations draw readers in with amusing rabbits, pleasant country settings, animal sounds, and a just-scary-enough wolf. This cleverly constructed story can be read closely, counting the eggs up to 10 and back down again and enjoying tiny details in the busy illustrations, or at speed with equal satisfaction.

Intriguing illustrations, classic story structure, and irresistible rabbits add up to a winning Easter-themed treat. (Picture book. 3-6)

Pub Date: Feb. 14, 2017

ISBN: 978-1-68119-314-4

Page Count: 24

Publisher: Bloomsbury

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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