by Lisa Scottoline & Francesca Serritella ‧ RELEASE DATE: July 7, 2015
A silly, featherweight confection that will only appeal to the authors’ many fans.
A mother and daughter team up for another volume of anecdotal stories.
There are countless readers for whom a book is akin to a truffle, a small, sweet, delicate treat lacking in anything particularly sustaining. Often, it’s as much about having others know you’re enjoying it as it is about actually enjoying it. Here, bestselling novelist Scottoline and her daughter Serritella (Have a Nice Guilt Trip, 2014, etc.), both Sunday columnists for the Philadelphia Inquirer, deliver another truffle of a book. It is about nothing but enjoyment, a nudge-nudge, wink-wink narrative about womanhood in all of its messy, wonderful glory (well, “all” from the viewpoint of two well-to-do white women). It is the sixth such book from this mother-and-daughter team, ostensibly in the tradition of humorists like Erma Bombeck. Scottoline and Serritella have yet to reach Bombeck’s level of popularity, but it isn’t for lack of effort—or perhaps it is: many of the sentences (even paragraphs) consist of only a few words: “We get it.” “We rock!” “Like Mensa.” One essay notes that, in disagreements with the power company, they always win: “Because they have the power.” Elsewhere, “I have a gangrene thumb” describes a comical difficulty with planting “a zillion” perennials. Other examples: “She’s like Oprah if Oprah could twerk.” “Woot woot!” “LOL.” “I’m in love. / With my Fitbit. / I’m smitten, which makes me Smitbit. / Or maybe Fitbitten. / Either way, I’m into it….By the way, my dogs do not have Fitbits. / They don’t Fitbite.” The topics are mostly the same as in their previous books, many similar to those Bombeck covered far more dynamically in her many bestsellers. There’s another, more relevant, definition of a truffle: “a strong-smelling underground fungus that resembles an irregular, rough-skinned potato.”
A silly, featherweight confection that will only appeal to the authors’ many fans.Pub Date: July 7, 2015
ISBN: 978-1-250-05994-9
Page Count: 272
Publisher: St. Martin's
Review Posted Online: April 13, 2015
Kirkus Reviews Issue: May 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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