Anastasia's little brother, whose infant point of view was explored in All About Sam (1988), is now a preschooler whose wit and persistence mark him as precocious, but who is still winningly typical in such details as the messy results of mixing mustard and ketchup on his hotdog. Mom's birthday is coming up; she's outspokenly devastated by being 38 and wants only homemade presents. No problem: hearing that her favorite perfume is no longer available, Sam manufactures a substitute in a not-quite- empty grape-juice bottle from the recycling bin. Ever-alert to what Mom says smells good, he keeps Ziplock bags at the ready and manages to add to his brew a bit of sea water, one of Dad's old pipes, chicken soup, tissues that have been used for cleaning up a baby (both ends), and some yeast—his concern over the increasingly noxious odor competing with his truly childlike hope that somehow it will all come right. It doesn't—but the concoction's explosion is only the most spectacular of three resounding failures: Dad has clumsily touched up a portrait photo, and Anastasia has written a notably tactless poem (Sam's offhand help with this proves that he's inherited a lot more of poet Dad's talent than his sister; unfortunately, she tinkers with her effort after Sam's last suggestions). Still, in the end, Sam saves the day, in a tidy but thoroughly satisfying conclusion. Warm, lively, true to children's real inner lives, and laugh-aloud funny all the way. Illustrations not seen. (Fiction. 7-12)
Pub Date: April 1, 1992
ISBN: 0-395-61588-7
Page Count: 128
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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