Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?
An enslaved Black girl in antebellum New Orleans joins a female spy network against the Confederates.
The impulse toward freedom is ingrained in Ady, born in slavery to her mother Sanite, who spent part of her own childhood in a runaways’ settlement. When Ady is 10, she and her mother are sold to the vulpine John du Marche, who’s living his best 1850s life as a decadent businessman and political insider in the French Quarter. Sanite provides her daughter with a taste of freedom as they escape from du Marche, making camp in the outlying woods. It isn’t long before they’re returned to their master and Sanite dies from scarlet fever. Ady’s customary high spirits are laid low by grief, melancholy, and fear until she becomes friends with another African American she at first knows only as “the Free Woman.” Lenore owns a racially integrated establishment in the French Quarter called the Mockingbird Inn, with “the strong pleasant scent” of “lemons, sawdust, cloves, beer, and warm bread.” Inspired by seeing Lenore compel a gang of slave hunters to leave the Mockingbird, Ady seeks employment there as a helper on those occasions when she can get away from du Marche’s manse. She soon learns that Lenore and other women are working as a far-flung spy network to subvert the emerging Confederacy. Ady later finds out that the network has a name: “the Daughters.” (“In honor of our mothers,” Lenore tells her.) As Ady and the other “Daughters” covertly wreak havoc in various ways, the novel becomes all at once a high adventure, a revealing history, and a chronicle of one woman’s self-realization. Ruffin also displays some of the cunning imagination and caustic wit he showed in his previous work—most recently We Cast a Shadow (2019)—by interspersing his narrative with imagined transcripts from the past, present, and even the future.
Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?Pub Date: Feb. 27, 2024
ISBN: 9780593729397
Page Count: 304
Publisher: One World/Random House
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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