A quirky and engaging second novel from an up-and-coming author.
A delightfully scatterbrained baker prefers one-night stands to relationships—until a sexy Australian marketing executive visits her city and turns her life upside down.
Lizzie Blake is relatively happy in spite of a lonely childhood. She has a tightknit group of friends and loves working as a baker, although she has a hard time holding down a steady job due to chronic lateness. Thanks to dating apps, she has all the sex partners she wants. Lizzie likes to love 'em and leave 'em. As usual, she expects to forget all about her latest paramour, a business traveler named Rake Thompson. But after Rake goes home to Australia, Lizzie discovers that her disorganized brain has really messed things up this time. She and Rake used an expired condom, and Lizzie is pregnant. She wants to keep the baby, but when she calls Rake as a courtesy to let him know, he shocks her by deciding to move to Philadelphia to be near Lizzie and their child. The two are determined to be friendly, platonic co-parents, but their attraction to each other causes delicious complications. Lizzie is unusual for a romance novel character. She's even more commitment-phobic than Rake, defying gender stereotypes. And Lizzie has attention deficit hyperactivity disorder. Her need for sensory input makes regular sex an important part of her self-care. Eddings writes with compassion about Lizzie’s difficulties keeping on top of things, and her sex-positive attitude toward Lizzie's love life is a win for feminism. Reading about a neurodiverse heroine like Lizzie is refreshing. This is a funny, tumultuous novel that will inspire readers to think about how different kinds of brains shape our human need for love and sex.
A quirky and engaging second novel from an up-and-coming author.Pub Date: Sept. 6, 2022
ISBN: 978-1-2508-0600-0
Page Count: 336
Publisher: St. Martin's Griffin
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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