This clever marriage of information and illustration soars high.
This bright, brimming picture biography commemorates Tony Sarg, a brilliant, self-taught artist whose innovative helium balloons delighted legions of Macy’s parade watchers from 1928 on.
Sweet sketches Sarg’s career as a puppeteer and marionette-maker. Moving from London to New York City, where his marionettes performed on Broadway, Sarg engineered mechanical storybook characters for Macy’s “Wondertown” holiday windows. In 1924, he created floats and costumes for the first Macy’s parade, which celebrated both immigrant and American holiday traditions. When the annual parade’s lions and tigers (borrowed from the Central Park Zoo) frightened children, Macy’s commissioned Sarg to replace them. Ever innovative, Sarg eventually utilized rubberized silk and helium to create larger, lighter balloons that could be controlled from below. Sweet’s charming mixed-media layouts form a playful bridge between her creative process and Sarg’s. She fashioned whimsical toys from painted blocks, buttons and fabric, combining them in photo-collages with old books, cut paper, imagined sketches for Sarg’s projects, watercolor images of parade scenes and much more. Endpapers inform and delight, too, with excerpts from a 1929 book about Sarg's marionettes and a front-page parade invitation in the 1933 New York Times. Backmatter is also a collage of treats, with an author’s note appending further biographical details and comments about the art.
This clever marriage of information and illustration soars high. (bibliography of adult sources, quote sources, acknowledgements, period photo) (Picture book/biography. 4-8)Pub Date: Oct. 31, 2011
ISBN: 978-0-547-19945-0
Page Count: 40
Publisher: Houghton Mifflin
Review Posted Online: Aug. 16, 2011
Kirkus Reviews Issue: Sept. 1, 2011
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
