This view into Procter’s brief life connects her early passion for reptiles with her innovative career combining scientific...
Valdez introduces Joan Procter, whose lifelong love of reptiles yielded a career at London’s Natural History Museum and the London Zoo.
Avid for reptiles from childhood, Joan received a crocodile for her 16th birthday. First assisting, then succeeding the museum’s curator of reptiles, Joan surveyed the collections, published papers, and made models for exhibits. Her designs for the zoo’s reptile house incorporated innovative lighting and heating as well as plants and artwork evoking the reptiles’ habitats. Joan’s reputation soared with the arrival of two 7-foot-long Komodo dragons, coinciding with the reptile house’s opening. Presenting a paper at the Zoological Society, Joan brought along one of them, Sumbawa, who ate a pigeon whole and strolled among attendees. Valdez’s narrative alludes to Procter’s poor health obliquely: pet reptiles cheered her “on the days Joan was too sick to attend school,” and a later spread depicts her “riding through the zoo” in a wheelchair. (An appended note explains that a “chronic intestinal illness” led to Joan’s death at just 34.) Sala portrays stylized reptiles and 1920s-era British clothing. People’s skin tones range from stark white to various tans and browns. Indeed, although she was white, Joan’s skin varies throughout, sometimes appearing white and pink and others times various shades of beige.
This view into Procter’s brief life connects her early passion for reptiles with her innovative career combining scientific research, practice, art, and design. (author’s note, bibliography of primary sources, photographs) (Picture book/biography. 6-8)Pub Date: March 13, 2018
ISBN: 978-0-399-55725-5
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Another playful imagination-stretcher.
Markle invites children to picture themselves living in the homes of 11 wild animals.
As in previous entries in the series, McWilliam’s illustrations of a diverse cast of young people fancifully imitating wild creatures are paired with close-up photos of each animal in a like natural setting. The left side of one spread includes a photo of a black bear nestling in a cozy winter den, while the right side features an image of a human one cuddled up with a bear. On another spread, opposite a photo of honeybees tending to newly hatched offspring, a human “larva” lounges at ease in a honeycomb cell, game controller in hand, as insect attendants dish up goodies. A child with an eye patch reclines on an orb weaver spider’s web, while another wearing a head scarf constructs a castle in a subterranean chamber with help from mound-building termites. Markle adds simple remarks about each type of den, nest, or burrow and basic facts about its typical residents, then closes with a reassuring reminder to readers that they don’t have to live as animals do, because they will “always live where people live.” A select gallery of traditional homes, from igloo and yurt to mudhif, follows a final view of the young cast waving from a variety of differently styled windows.
Another playful imagination-stretcher. (Informational picture book. 6-8)Pub Date: May 7, 2024
ISBN: 9781339049052
Page Count: 32
Publisher: Scholastic
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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