A brilliant must-read about the epic and turbulent life and times of a cinematic titan.
A history of the ideological, cultural, and personal campaign against the motion picture industry's most independent and incandescent light of the 20th century.
Eyman, author of biographies of Cary Grant, John Wayne, John Ford, and other major names in film history, presents a beautifully composed and unique look at how Chaplin was characterized as an immoral sexual deviant and Soviet-sympathizing subversive. The author vividly documents the federal government's relentless pursuit of Chaplin, particularly the notorious House Un-American Affairs Committee and J. Edgar Hoover's FBI, whose file on Chaplin grew to 1,900 pages, many of which were leaked to the artist's most mendacious and vociferous antagonists in the press. Eyman also showcases his keen knowledge of filmmaking by dissecting and analyzing Chaplin's work, particularly focusing on specific elements of his most socially significant productions: the darker, farcical aspects of capitalism in Modern Times; the anti-Nazi sendup of Hitler in The Great Dictator, which found him besieged by the then-isolationist U.S. government, the British government, and the Nazis themselves; and the audience-disappointing Monsieur Verdoux, the idea for which Chaplin purchased from Orson Welles. Eyman's insightful, articulate approach illuminates the fruits of his lifelong research, whether he is discussing Chaplin's grilling during a paternity suit in which he was wrongfully convicted (which gave aid and comfort to his enemies); his hands-on directing and the graceful athleticism of his acting; or the consistency of his somewhat naïve political views amid the tectonic shifts in American political sentiment following World War II. While Eyman clearly admires Chaplin, he does not descend into idolatry. The author starkly portrays Chaplin's personal shortcomings and idiosyncrasies as well as his winning, losing, and recapturing of his audience. Eyman also shows his happiness and domestic tranquility in his marriage to Oona O'Neill, whom he wed when he was 54 and she 18, a situation that established another launching pad for public outrage.
A brilliant must-read about the epic and turbulent life and times of a cinematic titan.Pub Date: Oct. 31, 2023
ISBN: 9781982176358
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: June 12, 2023
Kirkus Reviews Issue: July 15, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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