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WHO WILL MAKE THE SNOW?

Sweet but not saccharine, with occasional long thoughts buried in the fuzzy warmth.

In this tale originally published in Ukraine, mole twins born on the first day of spring discover a generally welcoming world outside their burrow as the seasons pass.

Beech Forest is, by and large, a friendly place. Animal residents gather at the Under the Oak Café to peruse the gossipy Daily Mole, which Papa Mole compiles and types up, while Mama Mole makes quince jam and leads her large family, including little Purl and Crawly, out in autumn to sketch the changing trees while she plays her double bass. It’s not all ginger tea and nut cookies, though, particularly when an older sib’s illness prompts Crawly to ask, “Mama, what happens to moles when they die?” Her comforting if fanciful answer (they live among the clouds and make snow) leads later to a broader understanding that death happens to everyone, and a final observation to his (slightly) older sister that “the world’s a little tough, but it’s interesting this way….” In the colored pencil, gouache, and ink illustrations, moles and most of the other animals are furry black blobs with indistinct features, sporting random articles of human dress and posing either in comfortably furnished domestic settings or idyllic glades beneath shadowy trees. A stormy autumn flood provides some mild danger, but overall this short chapter book makes for cozy, peaceable reading for all its origins in a country currently at war.

Sweet but not saccharine, with occasional long thoughts buried in the fuzzy warmth. (Animal fantasy. 7-9)

Pub Date: Dec. 12, 2023

ISBN: 9781953861740

Page Count: 72

Publisher: Elsewhere Editions

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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