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MAN'S BEST FRIEND

After a promising start, this debut ends up being all bark, no bite.

A floundering young woman gains access to a world of privilege through her mysterious new boyfriend.

Twenty-nine-year-old El is used to living on the fringes. She spent her teen years in Manhattan in a cramped apartment with her single mother and her mother’s best friend, sharing a bedroom with the friend’s son. She received financial aid to attend a prestigious private school filled with ultrarich students but had only tangential access to their lives of quiet luxury. Even now, El can’t break through in her career as an actor, instead working in a bakery and trying to figure out her next move. When El’s old classmate Julia unexpectedly offers an invitation to a party at her family’s East Hampton home, El can’t resist returning to that tony world, even for just one night. It’s there that El meets Bryce, a Cambridge graduate from a filthy rich family who is immediately, and intensely, taken with her. Though El isn’t particularly attracted to Bryce’s looks or personality, she’s attracted to what being with him brings—the life of ease and financial security she’s always wanted. When the two quickly move in together, El begins to lose touch with the world outside her relationship, quitting her job, dumping her roommate, and ghosting her friends—just as Bryce’s true nature starts coming to light. The author is deft at creating a tense atmosphere—complete with suspicious characters, sinister motivations, disturbing events, and an off-kilter narrator—that will keep readers turning the pages. But the lackluster conclusion strains credulity, and a symbolic thread that runs throughout the novel—dogs across the country are running away from and rebelling against their owners—is unsuccessful and, ultimately, has no bearing on the plot.

After a promising start, this debut ends up being all bark, no bite.

Pub Date: May 14, 2024

ISBN: 9780593715024

Page Count: 320

Publisher: Putnam

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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