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OONA IN THE ARCTIC

From the Oona series , Vol. 3

A fascinating and visually satisfying epic journey of home and friendship.

A home-away picaresque through the deep blue sea.

In this third installment in the Oona series, DiPucchio’s diminutive Black mermaid, who has deep brown skin and an impressively expansive Afro, travels from warm to frigid waters to return a baby beluga who shows up in her cave. Oona and her trusty sidekicks, Otto (an otter) and a baby sea turtle, feed the beluga kelp cake, “ninety-nine sushi rolls, a bucket of chowder, and an entire plate of sea-salt cookies,” but the homesick baby throws herself on the ocean floor, crying. Realizing the beluga wants to go home, Oona finds among her treasures some old maps and a broken compass, which she repairs to commence the journey to the Arctic. She loses the compass in a storm, her map gets ripped, and an iceberg threatens to crush the travelers, but they soon meet Siku, a mermaid who offers the support and friendship they need to keep moving. The book’s dedication thanking Holly Mititquq Nordlum, artist, activist, and “enrolled member of the Native Village of Qikiktagruq,” suggests that Siku is Inuit. Figueroa’s richly detailed digital illustrations effectively capture the mood of each scene with shifting palettes as the characters move through different ocean habitats with varying sea life; the visual details will keep budding oceanographers engaged. (This book was reviewed digitally.)

A fascinating and visually satisfying epic journey of home and friendship. (Picture book. 4-8)

Pub Date: Jan. 24, 2023

ISBN: 978-0-06-322232-8

Page Count: 32

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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