Destined to become a classic.
A picture book that invites readers to consider shapes of all kinds.
A lively young child and a grown-up, both of whom present Asian, with beige skin and dark, wavy hair, experience their world in all its forms. Văn’s simple yet evocative verse explores the shapes of tangible, concrete objects like the Earth (“a sphere”), the characters’ front door (“a rectangle”), and their kitchen table (“a square”) as well as the shapes of abstract concepts like thinking (“the shape of thinking is quiet”), friendship (“a dog”), and surprise (“best when it hides what’s inside"). The author trusts young readers to understand such heady material. The grown-up is never far from the child’s side, ready to answer a question or reassure but also encouraging the little one’s curiosity. Sato’s enchanting illustrations craft a recognizable world filled with crayons, toys, a lovable puppy, and more, all made from textured fabrics and other materials that, when sewn together, evoke warmth and love. Striking scenes, like a luminous rose sunset and deep space, with its dark, impenetrable purples, matter as much as a smaller yet equally powerful moment of sadness that leads to a reassuring cuddle. The closeness between the characters enables the child to grow and learn and change—as the book closes, both are confident that “The shape of my love will always be you.” (This book was reviewed digitally.)
Destined to become a classic. (Picture book. 3-6)Pub Date: May 2, 2023
ISBN: 9781525305450
Page Count: 32
Publisher: Kids Can
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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