Intertwining the tactile rituals of baking with the religious and cultural heft of Shabbat, a contemplative paean to challah.
A meditative look at Shabbat preparations.
A pregnant mother—referred to as Ima—and a child, both with light skin and voluminous black hair, wake early to begin making challah dough before sitting down to enjoy Shabbat dinner with the rest of the family. Carefully laying out each step of the baking process, from mixing ingredients to braiding the loaves, the book evokes Shabbat itself, conveying the beauty of taking time to rest and appreciate loved ones. The text highlights minutiae of the characters’ day—steam rising from morning tea, sun shining through the kitchen window, the slow expansion of the proofing dough—encouraging readers to notice the small details in their own lives. Though the figures’ faces are too simple to carry much expression, the mixed-media illustrations depict a precisely curated home with a luxuriant garden, another subtle reminder of the importance of devoting time and attention to the things we love. Line breaks in the text suggest a slow, lyrical reading tempo, congruent with the ruminative content. After the close of Shabbat, the book gestures toward the future and implies the passing of time; as the book ends, a new day begins, with the family ready to make more challah and Ima holding the new baby.
Intertwining the tactile rituals of baking with the religious and cultural heft of Shabbat, a contemplative paean to challah. (author’s note, recipe for challah, Hebrew glossary) (Picture book. 4-8)Pub Date: May 14, 2024
ISBN: 9781536225495
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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