An engaging cast of characters grapples with themes from family legacies to social media marketing while the romance between...
A rude sword maker clashes with the spunky socialite who has been sent to drag him into the 21st century.
Portia Hobbs’ hard-charging parents can’t understand why she prefers acquiring graduate degrees and internships to joining the family business in New York. When she wins an internship to work with a master swordsmith in Scotland, Portia knows it’s a perfect way to put her art history background to good use. Where her parents see flighty selfishness, Portia sees opportunity and excitement. Her new boss, Tavish McKenzie, is a taciturn silver fox with a healthy skepticism of modernity. He’s gruff with Portia, who nevertheless manages to wield her social media and marketing savvy to raise Bodotria Armory’s profile. Portia is a charming blend of bravado and insecurity, a woman whose summer in Scotland will reveal her innate worth even if her skills are not the kind her family can appreciate. A brusque British artisan falling for a spoiled, spunky American is a familiar trope, but Cole (A Princess in Theory, 2018, etc.) invests it with complexity by giving Portia not just vulnerability, but a journey of self-discovery that includes strong female friendships. Another well-known romance trope, secret royalty, gets the same treatment. Tav’s mother was a Chilean refugee when she began an affair with his biological father, whom she left after he inherited a dukedom. Tav had always known the story, but he thought of his mother as a victim of a powerful man; learning now that she'd made her own choices, he has to make sense of a new origin story while grappling with an abrupt status shift from artisan to aristocrat. While Portia and Tav’s characters are irresistible and their culture-clash repartee is genuinely witty, their romance seems abrupt. A continued friendship with benefits seems just as likely as a happy-ever-after for these two, and while their relationship might eventually develop into something lasting, readers might appreciate a cameo by “Maid Freckles” and “#swordbae” in the next installment of the series, just to be sure.
An engaging cast of characters grapples with themes from family legacies to social media marketing while the romance between a gruff swordsmith and his unorthodox apprentice is more parry than attack.Pub Date: July 31, 2018
ISBN: 978-0-06-268556-8
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.
Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.
Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.
As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.Pub Date: Aug. 15, 2017
ISBN: 978-1-4555-7210-6
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
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