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HELD

A gorgeous meditation on whether the ghost in the machine is actually in our hearts.

A poetic exploration of the liminal spaces and invisible forces in our lives.

Canadian poet and novelist Michaels artfully extracts, and reweaves, the often-invisible threads connecting the lives of her characters—some fictional, some historical—from the early 1900s to the near future. The scarifying effects of war are made obvious from the outset through the thoughts and memories of John, a British soldier lying gravely wounded on a World War I battlefield. As the interrelated characters move through the years, traumas, and relationships of their lives, those initial musings are among the topics Michaels explores, including the persistence of desire, the effects of observation on the observed, the finite nature of life versus the (purported) unending nature of death, the presence of the past at all points in life. The physics and metaphysics of life come under Michaels' microscope, but the arts and sciences of photography and radiography are employed as well. (Marie Curie and her acquaintances appear as regular people, not icons of scientific discovery.) Meandering back and forth across generations, Michaels' narrative captures moments of winsome (apparent) coincidence as well as heartbreaking sorrow; more than one young woman loses a husband to death and the threat of war echoes across generations. What is consistent throughout the interwoven lives of the photographers, hat makers, artists, war correspondents, and international crisis workers presented here is the persistent examination of what forces brought them to their destinations. The possibilities include love, chance, particle theory, hope, and desire; Michaels' poetic amalgamation of the lot results in a multi-layered and subtle discussion of what keeps animating the web of existence.

A gorgeous meditation on whether the ghost in the machine is actually in our hearts.

Pub Date: Jan. 30, 2024

ISBN: 9780593536865

Page Count: 240

Publisher: Knopf

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LIES AND WEDDINGS

Still more brilliant escapism among Kwan’s 1 percenters. Too much is never enough.

Let us not to the marriage of true minds admit impediments. Or, maybe let’s.

In his second follow-up to the blockbuster Crazy Rich Asians trilogy, Kwan continues to wrap fairy-tale love stories in glitz, glamour, couture, fine art, and delicious wit. (It’s possible that the author is on a diet because the food component seems slightly less dominant than usual.) This time, our star-crossed lovers are Rufus Gresham, Viscount St. Ives, a man whose beauty has been driving women to distraction since he was photographed in his boxers ironing a dress shirt at age 16, and Eden Tong, a young doctor who lives with her widowed father on the family property at Greshamsbury Hall. Though Rufus has been madly in love and planning to marry Eden since childhood, he is about to run into a solid wall of opposition from his mother, Lady Arabella. Since she and Lord Gresham have managed to drain the family coffers, she is determined to save the family by having each of her three children marry serious money. But right from the start, when an active volcano interrupts the wedding of daughter Augusta to Scandinavian royalty, things don’t go her way. Often hilarious epigraphs and fourth-wall-breaking footnotes include this: “Founded in 1875 in Venice, Tessitura Luigi Bevilacqua was also the official supplier of precious fabrics to the Vatican until Pope Paul VI decided to tighten the belt on luxury goods. (This would explain the pillows from Target I saw in the waiting room during my last audience with the Pope.)” One also enjoys the gossip articles, invitations, and menus sprinkled through the text, and the little icons used to signal location changes—Hawaii hibiscus, London Big Ben, Greshamsbury tea set, Houston oil derrick, etc.—are adorable.

Still more brilliant escapism among Kwan’s 1 percenters. Too much is never enough.

Pub Date: May 21, 2024

ISBN: 9780385546294

Page Count: 448

Publisher: Doubleday

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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