An astonishingly deep pool of wonders.
A wide-ranging, fascinating exploration of roads, which are “not merely a symptom of civilization but a distinct disease.”
Goldfarb’s follow-up to Eager, his award-winning book on beavers, is another illuminating, witty work. He chronicles his journeys through numerous countries with colleagues to conduct extensive field research and mixes his findings with historical research showing the effects of roads on our ecology. Pavement, he writes, “blankets less than 1 percent” of the U.S., “but its ecological influence “covers a full 20 percent.” Goldfarb sadly notes that it “has never been more dangerous to set paw, hoof, or scaly belly on the highway.” With the rise of cars and roads in the 20th century, the degrading word roadkill was born, and the deer became primary victims. The author bemoans how the “Interstate Highway System lopped off migration routes as neatly as a guillotine,” and roads with more than 10,000 vehicles per day loom as what road ecologists call “absolute barriers to most wildlife.” The sprawling Los Angeles freeway labyrinth, with its “clean as a scalpel” east-west habitat fragmentation, has disrupted practically every species, especially the mountain lion. As a result of roadkill, Goldfarb sadly notes, 21 critters, especially reptiles and amphibians, face extinction, and he reveals how the National Forest Service’s many roads have become “proxy battlegrounds in a cultural war” and how they’re working to reduce them. Excessive road noise is equally pernicious, as is excessive salt on roads. Not to be overlooked, usually on a car’s front, is the ongoing insect liquidation, but many shrubby roadsides have also become insect sanctuaries. “The necrobiome,” Goldfarb writes, “airbrushes our roadsides, camouflaging a crisis by devouring it.” Fortunately, in Europe and Canada, recent innovations in under- and overpasses have helped reduce the number of dead animals, and the author is optimistic about the roles of citizen scientists, self-driving cars, and achievements in Brazil, which “seem[s] to sit at road ecology’s forefront.”
An astonishingly deep pool of wonders.Pub Date: Sept. 12, 2023
ISBN: 9781324005896
Page Count: 384
Publisher: Norton
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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