This first-rate journey into human trafficking, slavery, and familial bonding is an engrossing example of spirited,...
A consummate chronicler of the American South spotlights the extraordinary history of two kidnapped African-American brothers enslaved as a circus sideshow act.
Expanding on her 2001 co-authored article series in the Roanoke Times, journalist Macy (Factory Man: How One Furniture Maker Battled Offshoring, Stayed Local—and Helped Save an American Town, 2014) reconstructs the folkloric yet true story of brothers George and Willie Muse, who, in 1899, at ages 9 and 6, toiled on a sweltering tobacco farm in Virginia. As black albinos bearing golden dreadlocks, the boys were considered “genetic anomalies” yet visually ideal when spied by Candy Shelton, a white bounty hunter scouring the area for “freaks” to enslave in circus sideshow acts. As circus entertainment crested in popularity at the turn of the 20th century, Macy writes, much money was to be made by sideshow managers eager to exploit those with physical abnormalities. Despite being falsely told that their mother had died, the Muse brothers went on to become “among the top tier of sideshow headline grabbers,” internationally known to Ringling Brothers and Barnum & Bailey audiences as “Eko and Iko, the Ecuadorian Savages.” Macy vividly illustrates circus life during the 1920s, and she movingly depicts how the brothers’ protective, determined mother, Harriett, eventually discovered and rescued them almost a decade and a half later. She sued the circus only to have George and Willie (along with little brother Tom) inexplicably return to the big top under Shelton’s management with decidedly mixed results. The story draws on years of diligent, investigative research and personal investment on the author’s behalf, and it features numerous interviews with immediate family, neighbors, distant relatives, Truevine townsfolk, and associated friends, most notably Nancy Saunders, Willie’s fiercely outspoken primary caregiver. Macy absorbed their own individual (and often conflicting) interpretations of the Muse kidnappings, condensing and skillfully braiding them into a sturdy, passionate, and penetrating narrative.
This first-rate journey into human trafficking, slavery, and familial bonding is an engrossing example of spirited, determined reportage.Pub Date: Oct. 18, 2016
ISBN: 978-0-316-33754-0
Page Count: 432
Publisher: Little, Brown
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
PERSPECTIVES
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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