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DOÑA GRACIA SAVED WORLDS

Quiet but strong.

A unique true story from Jewish history.

A young girl named Gracia learns from her family how—and why—to practice her religion in secret. In the 16th-century Iberian Peninsula, “all religions except Christianity were against the law,” so her family hid their traditions from the outside world. As an adult, Gracia marries another Sephardic man who controls ships that import “spices and silks from the Indies”; once widowed, she takes over his business. Building wealth and favor by giving lavish gifts to the king in exchange for a promise that he won’t arrest secret Jews, Gracia uses her power to help other clandestine Jews. She even engineers an escape for herself and others, guided by the principle that “a person who saves even one life saves a whole world,” by hiding people on one of her ships bound for Antwerp. The rich, dark colors of the illustrations are often overlaid with patterns resembling an ancient tapestry, adding texture and depth to otherwise staid scenes. This zoomed-in look at long-ago but still relevant history ably describes a complex political situation to younger readers, revealing an interesting figure making a difference despite incredible odds. The book will most likely appeal to an older picture-book audience with an interest in history and human rights, and it may start conversations about being true to oneself and working for a community.

Quiet but strong. (author’s note) (Picture book. 6-9)

Pub Date: Dec. 5, 2023

ISBN: 9781728466996

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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I AM WALT DISNEY

From the Ordinary People Change the World series

Blandly laudatory.

The iconic animator introduces young readers to each “happy place” in his life.

The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.

Blandly laudatory. (bibliography) (Picture book/biography. 6-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7352-2875-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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