by Chris Offutt ‧ RELEASE DATE: June 7, 2022
Terrific characters; taut suspense. Another winner from Offutt.
Another excellent Mick Hardin thriller set in rural eastern Kentucky.
Mick Hardin, of the Army’s Criminal Investigation Division, once again finds himself back home in Appalachia, freeloading on his sister, Linda, the no-nonsense county sheriff, while he recovers from a roadside bombing. When the county’s heroin kingpin (or, it being a small place, the county’s heroin princeling) is found dead in a vacant downtown lot in the county seat, the city police are disinclined to investigate, on the “good riddance” principle of rough justice. Linda, who’s occupied with her reelection campaign—and the awful, endless round of glad handing, small favors, and pancake breakfasts it requires—is glad not to have the case on her plate. But when the dealer’s mother, the misanthropic and well-armed Shifty Kissick (a former love of Mick and Linda’s late father), asks Mick to investigate, he feels obligated to take a look...and the cycle of violence and revenge begins. As in The Killing Hills (2021), Offutt has fashioned a mystery plot that’s fast-paced, efficiently plotted, atmospheric, and compelling, but what again distinguishes the book is the author’s command of and affection for the setting and the people who live there. Come for the thriller, by all means; it delivers nicely. But stay for, and linger in, the marvelous incidentals and atmospherics: arguments about mall names; lore about snakes and birds and mushrooms; descriptions of a local shade-tree tinkerer’s Slinky-like version of a perpetual motion machine.
Terrific characters; taut suspense. Another winner from Offutt.Pub Date: June 7, 2022
ISBN: 978-0-8021-5998-4
Page Count: 272
Publisher: Grove
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Colm Tóibín ‧ RELEASE DATE: May 7, 2024
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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SEEN & HEARD
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