No pulled punches here, just truth.
Insight into a Frenchwoman’s life from the woman who lived it.
Colombe Schneck, the narrator of each of these three assembled novellas, engages in a careful dissection of various stages of her life. That the book’s author is also named Colombe Schneck provides some clue as to how close to the bone Schneck is cutting here. In Seventeen, she parses the inevitability of biology and the shock of betrayal by one’s own body (and the results of an unplanned teen pregnancy). Friendship explores a lifelong friendship between Colombe and Héloïse, allowing Schneck to examine, in subtle detail, the ethnic, class, and political differences between bourgeois households during the girls’ formative years in 1970s and ’80s Paris. A different kind of bodily betrayal is visited upon Héloïse in the account. Schneck’s last remembrance, Swimming: A Love Story, recounts an affair Colombe embarks on after a season of romantic disenchantment. Among the other gifts Gabriel bestows upon her during the course of their relationship is an awareness of her body (and the development of a sense of autonomy over it). Repeatedly, the inevitability of life’s unpredictability is made clear to Colombe, but it is only with later-acquired self-awareness that she is able to continue in the face of her doubts and emotional discomfort. Translated from French by Elkin and Lehrer, Schneck’s matter-of-fact delivery of all aspects of her lived experiences—from a comparison of the Parisian apartments favored by the bourgeoisie to her panic at uncertainty—lends a universal quality to the narrative; these observations made by one woman are broadly recognizable. Acknowledging the influence of Annie Erneaux on her thinking and her ability to write about issues intensely personal to women, Schneck carries that frank discussion forward with grace and hard-won knowledge.
No pulled punches here, just truth.Pub Date: May 14, 2024
ISBN: 9780593655931
Page Count: 240
Publisher: Penguin Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
