A tale that, though well known in outline, Maraniss enriches with his considerable skills as a writer and researcher.
A sensitive and compelling life of the great, ill-treated athlete Jim Thorpe (1887-1953).
Born into the Sac and Fox Nation in Oklahoma, his birth name that of the title, Thorpe was an otherworldly athlete. As two-time Pulitzer winner and Washington Post associate editor Maraniss notes, Thorpe was so phenomenal that he remains “one of the few Native Americans of the twentieth century whom people could cite and praise even if they knew little else about the indigenous experience.” He excelled at every sport he played, making his coach at the Carlisle Indian School, Pop Warner, famous in the bargain. In 1912, Thorpe dazzled spectators at the 1912 Olympic Games in Stockholm, though his gold medals would soon be retracted after a newspaper reported that he had played pro baseball a couple of years earlier, violating the Games’ demands that participating athletes be amateurs. Maraniss rightly objects that in the aftermath, “most of the lies and feignings of innocence involved officials trying to save their own reputations, not his,” Warner and future U.S. Olympics head Avery Brundage among them. Thorpe spent the rest of his life trying to clear his name and have his Olympic record restored to him, alternating between poverty and one doomed business venture after another, moving from town to town to join various teams or escape his past. Of course, racism was a powerful element in Thorpe’s life, and Maraniss explores this topic with insight and nuance, just as he did in his biography of Roberto Clemente. Particularly pointed is the author’s closing anecdote about how Thorpe’s widow, apparently a skilled grifter, convinced a Pennsylvania town to rename itself after him with the promise of a well-funded hospital and other income-generating ventures; instead, it got his bones but nothing else.
A tale that, though well known in outline, Maraniss enriches with his considerable skills as a writer and researcher.Pub Date: Aug. 9, 2022
ISBN: 978-1-476-74841-2
Page Count: 608
Publisher: Simon & Schuster
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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