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BIRNAM WOOD

This blistering look at the horrors of late capitalism manages to also be a wildly fun read.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2023


  • Kirkus Prize
  • Kirkus Prize
    finalist

An eco-activist group in New Zealand becomes entangled with an American billionaire in Catton's first novel since the Booker Prize–winning The Luminaries (2013).

Mira Bunting is the brainchild behind Birnam Wood, an “activist collective” of guerrilla gardeners who plant on unused land (sometimes with permission) and scavenge (or steal) materials to grow food. Mira is a “self-mythologising rebel” whose passions are tempered only somewhat by Shelley Noakes, who sees herself as Mira’s “sensible, dependable, predictable sidekick.” This role is starting to chafe—as is the lack of money—and Shelley plans to leave Birnam Wood. Just as Shelley’s about to cut ties, Mira makes an announcement: On a recent scouting trip near Korowai National Park, she located a farming property owned by a Kiwi farmer named Owen Darvish, temporarily abandoned due to a recent earthquake. This land is soon to transfer ownership from Darvish to an uber-rich tech CEO looking for a spot to doomstead. When the businessman, Robert Lemoine, catches Mira scouting on the land, he offers to bankroll the group to the tune of $100,000 since the act will help his bid for New Zealand citizenship. What could go wrong? Catton swirls among perspectives, including those of Mira, Shelley, Lemoine, Darvish and his wife, and a former Birnam Wood member called Tony, whose aspirations to fame look within reach as he suspects he’s got a major scoop concerning Lemoine’s real motives. In many ways, the novel is as saturated with moral scrutiny and propulsive plotting as 19th-century greats; it's a twisty thriller via Charles Dickens, only with drones. But where Dickens, say, revels in exposing moral bankruptcy, Catton is more interested in the ways everyone is cloudy-eyed with their own hubris in different ways. The result is a story that’s suspended on a tightrope just above nihilism, and readers will hold their breath until the last page to see whether Catton will fall.

This blistering look at the horrors of late capitalism manages to also be a wildly fun read.

Pub Date: March 7, 2023

ISBN: 9780374110338

Page Count: 432

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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REAL AMERICANS

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

A sweeping exploration of choice, chance, class, race, and genetic engineering in three generations of a Chinese American family.

Khong’s follow-up to her sweet, slim debut—Goodbye, Vitamin (2017)—is again about parents and children but on a more ambitious scale, portraying three generations in what feel like three linked novellas, or somehow also like three connected gardens. The first begins in 1999 New York City, where Lily Chen stands next to a man at an office party who wins a big-screen TV in the raffle. He insists she take it; he is Matthew Maier, heir to a pharmaceutical fortune, and has all the TVs he needs. On their first date, they go to Paris after dinner, and as this section ends, they’ve had their first child. The second part of the book moves to 2021 on an island off the coast of Washington state. It’s narrated by Lily’s now-15-year-old son, Nick; his father is nowhere in sight, at least for now. The closing section unfolds in 2030 in the San Francisco Bay Area. It’s told by Lily’s now elderly mother, May, with an extended flashback to her youth in China during the Cultural Revolution and her first years in the U.S. As a budding scientist, May was fascinated by genetics. Of the lotus flowers she studied at university, she observes, “Raindrop-shaped buds held petals that crept closer, each day, to unfurling. As humans we were made of the same stuff, but their nucleotides were coded such that they grew round, green leaves instead of our human organs, our beating hearts.” This concern for how and why we turn out the way we do animates the book on every level, and along with science, social constructs like race and class play major roles. Every character is dear, and every one of them makes big mistakes, causing a ripple effect of anger and estrangement that we watch with dismay, and hope.

Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.

Pub Date: April 30, 2024

ISBN: 9780593537251

Page Count: 416

Publisher: Knopf

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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