This psychological thriller of digital discord has some relish, but the real meat may lie in future installments.
A federal agent goes undercover at a college to investigate a social media phenomenon gone out of control in Rahal’s graphic novel.
The opening of this thriller takes cues from a digital-era pastime—social media “challenges.” The one in question here is a seemingly harmless stunt in which wired-up young people eat hot dogs in odd or inappropriate circumstances while streaming the video. When a fatality results (a hot dog thief is shot by an angry store owner), the vengeful online “community” built around the gag (a faceless horde called the Hot Dog Party) spreads rumors that a major hot dog manufacturer uses tainted meat; the collapse of the corporation’s stock leads the government to intervene. Federal agent Cara Cole is tasked with infiltrating a college as a teaching assistant and gets close to a student named Paul Kovac; as a boy, Paul’s selfie showing him eating an oversized hot dog became a viral meme. Now, as a young adult (and secretly behind the Hot Dog Party), he claims that a hot dog maker “exploited his likeness for profit.” He recognizes Cara as law enforcement and seems to ask for her help in dealing with the bizarre cult he’s fostered. Or is the onetime internet phenom playing some kind of mind game? Cara befriends Charlotte, another student close to Paul and a self-anointed influencer. Soon there’s another fatality, and worse. Is Paul responsible, or are other malicious forces at work? Rahal’s timely premise, concerning the potential of an unleashed mob of glued-to-their-phone types (and of heavy-handed law enforcement reaction), recalls various real-life hashtag-boosted movements, from Black Lives Matter and #MeToo to Occupy Wall Street. The nimble, stylized artwork by Italian comics specialist Simeone has echoes of Japanese manga. A violent finale (aside from which the most explicit material is the frequent appearance of F-words) seems to wrap the case up, but the script drops enough hints and loose ends (including dark suggestions of trauma in Cara’s past) to set up a second volume.
This psychological thriller of digital discord has some relish, but the real meat may lie in future installments.Pub Date: Jan. 30, 2024
ISBN: 9781952303777
Page Count: 144
Publisher: Mad Cave Studios
Review Posted Online: Jan. 3, 2024
Review Program: Kirkus Indie
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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