by Emma Otheguy ; illustrated by Sara Palacios ‧ RELEASE DATE: June 20, 2023
An affirming story that feels like a warm hug from a beloved relative.
A Latine child has a tía problem.
Martina loves her tías—salsa dancer Tía Susana, flashy fashionista Tía Leonor, and loud, laughing Tía Alberta—but her aunts give her a headache when they’re around! Dreading another boisterous visit from them, Martina slips away during a party to the corner bodega. She buys a flower with a found coin and heads back to her apartment. While sniffing a big pot of guava, she plunges headlong inside and is transported to a jungle, where she interviews potential animal playmates—all of whom are too loud for her head to bear. Finally, she befriends a quiet mouse, and they bond over a love of imaginary adventures and hushed voices. As darkness falls, the fun fades, loneliness creeps in, and—in a scene reminiscent of Max returning from the land of the Wild Things—Martina reemerges in her kitchen surrounded by tías who can’t wait to hear her story. In this sweet homage to the Caribbean folktale “La Cucaracha Martina,” a young girl comes to cherish familial love. Colorful, digitally rendered illustrations have a three-dimensional, collage feel, exuding warmth and light and capturing a child’s world of imagination. Readers who prefer quiet contemplation to rowdy celebrations will feel kinship with Martina. Though the child needs some alone time, she’s always clearly an integral part of her family—a much-needed message that comes through loudly (but not too loudly!). (This book was reviewed digitally.)
An affirming story that feels like a warm hug from a beloved relative. (author’s note) (Picture book. 4-8)Pub Date: June 20, 2023
ISBN: 9781534445369
Page Count: 40
Publisher: Atheneum
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Dan Yaccarino
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