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THE ESCAPE ARTIST

THE MAN WHO BROKE OUT OF AUSCHWITZ TO WARN THE WORLD

A powerful story of a true hero who deserves more recognition.

A first-rate account of one of the few Jewish prisoners who escaped Auschwitz.

Concentration camp stories make for painful reading, but British journalist and broadcaster Freedland relates a riveting tale with a fascinating protagonist. Born in 1924 in Czechoslovakia, Rudolf Vrba was a precocious child and superachiever in school. In 1939, Slovakia became an independent, Nazi satellite state. Entirely obedient to Nazism, its government expelled Jews from schools and dismissed them from jobs. In 1942, Vrba received a summons to report for “resettlement.” Understanding the dangerous situation, he tried to escape to England. Caught in Hungary, he was sent to the first of several increasingly barbaric camps, ending in Auschwitz. Through a combination of youth, linguistic ability, and luck, Vrba attained privileges that allowed him to survive from his arrival in June 1942 to his escape in April 1944. Freedland delivers a gripping description of Vrba and a companion’s planning, breakout, and grueling walk to Slovakia, where surviving Jewish officials transcribed their story, which included, from Vrba’s memory, dates and the number of every trainload of Jews, with details of their murder and a map of the camp. By summer, articles about the horrors of the camps began to appear in Western newspapers. Readers will squirm to learn how little Vrba’s spectacular achievement accomplished. Some believed his revelations but not the people that mattered. Winston Churchill and Franklin Roosevelt consulted military leaders, and while they admitted that the Nazis were certainly mistreating Jews, they claimed that the best way to save lives was to win the war quickly. As a result, they ordered that no resources be diverted to projects such as bombing death camps. Freedland smoothly recounts Vrba’s long, often troubled postwar life, during which he persistently criticized Jewish and Israeli leaders who could have resisted the genocide more than they did.

A powerful story of a true hero who deserves more recognition.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-311-2339

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: July 29, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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UNCOMFORTABLE CONVERSATIONS WITH A JEW

An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.

Two bestselling authors engage in an enlightening back-and-forth about Jewishness and antisemitism.

Acho, author of Uncomfortable Conversations With a Black Man, and Tishby, author of Israel: A Simple Guide to the Most Misunderstood Country on Earth, discuss many of the searing issues for Jews today, delving into whether Jewishness is a religion, culture, ethnicity, or community—or all of the above. As Tishby points out, unlike in Christianity, one can be comfortably atheist and still be considered a Jew. She defines Judaism as a “big tent” religion with four main elements: religion, peoplehood, nationhood, and the idea of tikkun olam (“repairing the world through our actions”). She addresses candidly the hurtful stereotypes about Jews (that they are rich and powerful) that Acho grew up with in Dallas and how Jews internalize these antisemitic judgments. Moreover, Tishby notes, “it is literally impossible to be Jewish and not have any connection with Israel, and I’m not talking about borders or a dot on the map. Judaism…is an indigenous religion.” Acho wonders if one can legitimately criticize “Jewish people and their ideologies” without being antisemitic, and Tishby offers ways to check whether one’s criticism of Jews or Zionism is antisemitic or factually straightforward. The authors also touch on the deteriorating relationship between Black and Jewish Americans, despite their historically close alliance during the civil rights era. “As long as Jewish people get to benefit from appearing white while Black people have to suffer for being Black, there will always be resentment,” notes Acho. “Because the same thing that grants you all access—your skin color—is what grants us pain and punishment in perpetuity.” Finally, the authors underscore the importance of being mutual allies, and they conclude with helpful indexes on vernacular terms and customs.

An important dialogue at a fraught time, emphasizing mutual candor, curiosity, and respect.

Pub Date: April 30, 2024

ISBN: 9781668057858

Page Count: 256

Publisher: Simon Element

Review Posted Online: March 13, 2024

Kirkus Reviews Issue: April 15, 2024

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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