by Jonathan Martin & Alexander Burns ‧ RELEASE DATE: May 3, 2022
Red meat for politics watchers, unsparing in its depiction of a time of torment.
Newsworthy look at the last months of the Trump White House and the first of the Biden administration.
Early in the pages of this hard-hitting account by New York Times reporters Martin and Burns, the Democratic chair of the House Armed Services Committee voices doubt that Donald Trump was interested in or even capable of mounting a coup, adding, “my perception is, he is a fucking moron.” The events of Jan. 6, 2021, told a different story. Trump had never even bothered to pretend that he governed for all Americans, instead cultivating a reactionary, rural, White base and an ethos within the White House that followed “the logic of a protection racket, more or less.” That Joe Biden won while Republicans gained seats in Congress speaks to the ineptitude of Trump and company. Still, as the authors observe, Biden has had difficulty shaping a coherent message, some of it perhaps caused by his initial uncertainty about whether his running mate was right for the job. “During the primary,” write the authors, “Biden privately and repeatedly shared versions of a common observation about [Kamala] Harris: She doesn’t seem to know who she wants to be.” Martin and Burns deliver plenty of news, such as Lindsey Graham’s demand that Trump call off the Capitol rioters or face the invocation of the 25th Amendment. The authors also offer nuanced portraits of some of the key players in this saga: Mitch McConnell, ever exercising a political calculus by which he could deem Trump a “despicable human being” yet twice vote against impeaching him; Kevin McCarthy, so hungry for power that he allowed that Trump bore responsibility for the coup attempt yet rushed to declare fealty to the boss; Lisa Murkowski, who expressed wonder that so many Americans believe the 2020 election was stolen and questions that calculus of McConnell’s, saying of the impeachment vote, “I wish that it had been different.”
Red meat for politics watchers, unsparing in its depiction of a time of torment.Pub Date: May 3, 2022
ISBN: 978-1-982172-48-0
Page Count: 480
Publisher: Simon & Schuster
Review Posted Online: May 2, 2022
Kirkus Reviews Issue: June 1, 2022
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by Bill Maher ‧ RELEASE DATE: May 21, 2024
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Best Books Of 2020
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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