Irreverent, satirical, and oh so much fun!
A young woman of marriageable age and prospects moonlights as a detective in Seales’ tongue-in-cheek Regency murder mystery.
Beatrice Steele spends hours in her turret room, dreaming of solving dark and dire crimes like her favorite “gentleman detective,” Sir Huxley. As the oldest daughter in a family of girls, she would usually be the one on whom all hopes were pinned to make a good match, but luckily, her sister Louisa is the beautiful one and, as such, may be the one to keep the family out of ruin. When they are invited to the annual autumn ball at Stabmort Park, home of the Ashbrooks—the oldest and wealthiest family in their corner of Swampshire—they have no idea that the storm that ushers them across the moors is also blowing together an unlikely cast of characters. By the end of the evening, secrets will have been revealed, false identities exposed, missing persons found, and murder committed (twice!). The character types are endearingly familiar to anyone who has ever read a Jane Austen novel, and the dialogue crackles with wit, outrage, subtext, and pluck. Beatrice, a true Sherlock Holmes within her restrictive social world, is a delight, and while the characters may be familiar, Seales’ over-the-top caricatures succeed in being humorous rather than cliché. As Seales writes about the Regency period in a readers guide at the end of the book: “Women learned to interpret every look, every word, every tiny insight they observed. If they were so good at doing this in order to catch a husband…what if they turned these skills toward catching a killer?” The result is a deliciously dark delve into a world that seems genteel on the surface and teems with sex and violence and greed just underneath—not so unlike Austen’s but with a morbid, rather than domestic, bent.
Irreverent, satirical, and oh so much fun!Pub Date: June 27, 2023
ISBN: 9780593449981
Page Count: 336
Publisher: Random House
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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