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A SHOCK

Once this novel clicks into place, its blend of the heady and the visceral is immersive and compelling.

A group of Londoners wrestle with intimacy, trust, and memory.

Irish author Ridgway’s first novel in eight years doesn’t necessarily lend itself to an easy description. It follows the lives of a number of people based in London, though the connections between these characters—or even when these scenes take place in relation to one another—aren’t always apparent. When certain moments click into place, such as the significance of one character’s shouting at a rat or the way a conversation about a man named Gary adds depth to an earlier scene, the effect is transportive. Where this novel excels in particular is in Ridgway’s ability to evoke the mental states of his characters, especially when they pass outside of lucidity. That the novel opens with a section centered around an aging widow whose memory isn’t as reliable as it once was and who’s struggling with paranoia and depression in the wake of her husband’s death does a fine job of preparing the reader for what’s coming. This reaches its apex in a long chapter detailing a drug-fueled assignation between Frank and Tommy. That both men are using a prodigious amount of crystal meth gives the chapter a delirious feel, but Ridgway details that in intriguingly specific ways, such as a moment when Tommy realizes that his favorite part of a Charles Mingus record is the sound of a washing machine coming from another room. At the same time, numerous conversations about politics—including the plight of Labour leader Jeremy Corbyn and whether someone can be both your friend and your boss—add another dimension to the narrative.

Once this novel clicks into place, its blend of the heady and the visceral is immersive and compelling.

Pub Date: July 5, 2021

ISBN: 978-0-8112-3085-8

Page Count: 256

Publisher: New Directions

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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MIND GAMES

A touching story of love and grief ends in an epic battle of good versus evil.

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Roberts’ latest may move you to tears, or joy, or dread, or all three.

Every summer, John and Cora Fox visit Cora’s mother, Lucy Lannigan, in Redbud Hollow, Kentucky, leaving their children, 12-year-old Thea and 10-year-old Rem, for a two-week taste of heaven. The children love Grammie Lucy far more than John’s snooty family, which looks down on Cora. Lucy, a healer with deep Appalachian roots, loves animals, cooks the best meals, plays musical instruments, and makes soap and candles for her thriving business. Thea—who’s inherited the psychic abilities passed down through the women of Lucy’s family—has vivid magical dreams, one of which becomes a living nightmare when a psychopath robs and murders John and Cora as Thea watches helplessly. Thea’s description of the killer and her ability to see him in real time help the skeptical police catch Ray Riggs, who goes to prison for life. Although Thea and Rem go on to have a wonderful childhood with Grammie, Thea constantly wages a mental battle with Riggs, who tries to use his own psychic abilities to get into her mind. Over the years, Thea uses her imagination to become a game designer while the more business-minded Rem helps manage her career. Thea eventually builds a house near Lucy, where a newly arrived neighbor is her teen crush, singer-songwriter Tyler Brennan. Tyler has his own issues and is protective of his young son but slowly builds a loving relationship with Thea, whose silence about her abilities leads to a devastating misunderstanding. At first Thea tries to keep Riggs locked out of her mind. As her powers grow, she torments him. Finally, she realizes that she must win this battle and destroy him if she’s ever to have peace.

A touching story of love and grief ends in an epic battle of good versus evil.

Pub Date: May 21, 2024

ISBN: 9781250289698

Page Count: 432

Publisher: St. Martin's

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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