Whatever you think, Scottoline’s been so successful that she’s certainly entitled to write more sagas like this one.
Scottoline turns again from the contemporary suspensers she does so well to historical fiction, this time chronicling the birth of the Mafia.
Five-year-old Dante is lured away from his mother during Palermo’s Festival of St. Rosalia in 1810 and imprisoned in the Ospizio di Santa Teresa. The asylum is so hellish that Dante has no idea he’s been shown mercy: Franco Fiorvanti, the ambitious lemon-grove manager who arranged his kidnapping, had been ordered to have him killed. While local attorney Gaetano Catalano calls on his friends in the real-life Beati Paoli to organize a search for the boy as he languishes in the madhouse, Franco, who dreams of starting his own orchard by purchasing some of the land he works from wealthy Baron Zito, tirelessly schemes with and sometimes against his twin brother, Roberto, to amass the necessary resources to achieve his goals. The community he assembles dabbles in many crimes but gradually morphs into a well-oiled protection racket. Over the next 15 years, cheese maker Alfredo D’Antonio struggles to hide his identity as the last Jew in Sicily, and Mafalda Pancari, whose newborn daughter, Lucia, is stigmatized as an albino, abandons her husband and her fair-weather friends to raise the girl on her own. The pattern behind all these subplots is clear enough: examining the perils of both social isolation and social overinvesting of those who place their community above themselves and God. But the tale is so sprawling and filled with so many pop-up outrages and violent deaths that the mastermind behind the kidnapping doesn’t even make it onto the Cast of Characters.
Whatever you think, Scottoline’s been so successful that she’s certainly entitled to write more sagas like this one.Pub Date: March 28, 2023
ISBN: 978-0-525-53980-3
Page Count: 432
Publisher: Putnam
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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