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TIME FOR CRANBERRIES

The author, who lives on a marsh, calls this a love letter to the cranberry-growing community, but it is also an...

Sam shares the autumn activities on his family's farm—harvest time on a cranberry bog.

He's excited because he's finally old enough to help. Sam outlines every detail, from the big waders he and his parents wear to the equipment they use, such as the picking machine, the boom, suction pump, and cleaner. He uses lively descriptions and sound words to convey his enthusiasm: their waders “shlip and shlerp,” berries “hop and pop,” and when Sam falls in, they start a water-and-cranberry fight: “splish and splash.” Sam is wet through. Dad cheerfully says, "I always say you're not a cranberry grower until you fall in." This is a family pulling together literally and figuratively, and they enjoy both their work and the fruits of their labor. Even after their crop has been delivered, Sam wakes up on Thanksgiving morning to the delicious aroma of a fresh-baked cranberry pie (recipe included). The fun, the work, and the satisfaction are captured in watercolor-and-pencil illustrations infused with warm golds, browns, and reds to reflect the season and balance the cool blues of water and sky.

The author, who lives on a marsh, calls this a love letter to the cranberry-growing community, but it is also an enlightening, joyful celebration of a little-explored agricultural endeavor. (author's note, glossary) (Picture book. 5-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-62672-098-5

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 1, 2015

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A BIKE LIKE SERGIO'S

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...

Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.

This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)

Pub Date: Oct. 4, 2016

ISBN: 978-0-7636-6649-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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  • New York Times Bestseller


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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

Awards & Accolades

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  • New York Times Bestseller


  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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