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A VOYAGE IN THE CLOUDS

THE (MOSTLY) TRUE STORY OF THE FIRST INTERNATIONAL FLIGHT BY BALLOON IN 1785

Subtitle notwithstanding, crafted more to amuse than edify.

This embellished tale is loosely based on a true event: the first international balloon flight, from England to France, in 1785.

Pierre Blanchard, a Frenchman with design and flight experience, makes the crossing with his English financial backer, Dr. John Jeffries. The two don’t get along well, and their invented squabbling drives much of the dialogue-heavy narrative. Their historical flight suffers a near miss during its two-hour, 47–minute crossing. For dramatic flair, Olshan invents Blanchard’s “little nap” and Jeffries’ bungled attempt to relieve pressure in the balloon. With the balloon losing elevation, the men shed sandbags, the winglike oars, rudder, anchor, violin, and most of their clothing. They even pee over the sides. (That’s apparently a documented fact). The near-sinking engenders a shift, with the two men cooperative and mutually congratulatory, as they disembark—in their underdrawers and clutching their respective pet dogs—to cheering crowds. Blackall’s signature watercolors, featuring pale, pink-cheeked, white figures, stylized period clothing, and pastel backgrounds, alternate with inked comics-styled panels conjuring such events as the precipitous near-sinking and the balloon’s tree-snagged landing. The men’s disagreeable carping, which preoccupies much of the story, ultimately diminishes its child appeal.

Subtitle notwithstanding, crafted more to amuse than edify. (author’s note) (Picture book. 4-8)

Pub Date: Oct. 11, 2016

ISBN: 978-0-374-32954-9

Page Count: 40

Publisher: Margaret Ferguson/Farrar, Straus & Giroux

Review Posted Online: July 25, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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TINY LITTLE ROCKET

A fair choice, but it may need some support to really blast off.

This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.

Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.

A fair choice, but it may need some support to really blast off. (Picture book. 6-8)

Pub Date: July 31, 2018

ISBN: 978-1-338-18949-0

Page Count: 32

Publisher: David Fickling/Phoenix/Scholastic

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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BYE LAND, BYE SEA

A radiant tale of adventure and friendship.

A boy on land and a girl at sea overcome language barriers to become friends.

A girl wearing a white, wide-brimmed hat steers a boat, worry across her face. “I’m lost.” A boy in a red-orange cap holding a conch shell on a string stares out at the sea. “Soy náufrago.” She sees land and heads toward it. He spots the boat, hoping for a friend rather than a foe. As each child notices the other, their mutual trepidation leads to an unexpected initial encounter. “AAAAAAAH!” “¡AAAAAAA!” Both children, however, soon realize they have nothing to fear. Amid island backdrops brimming with rich blues, greens, and oranges, the girl and the boy take tentative steps toward one another. A problem: She speaks English; he speaks Spanish. To communicate, the girl and the boy explore the island and share a little of their worlds. Eventually, the children voyage off the island in the boat, but a sudden storm splits them up. Will the friends reunite? Restrained and spare but potent text whips up an exceptional tale of kinship, where English and Spanish words often converge in meaning. Montalvo’s watercolor, gouache, and graphite artwork brims with verve, leveraging unusual perspectives, thoughtful frames, and vivid tones that culminate in a sublime gatefold. The girl reads as white, while the boy has light brown skin and is cued Latine.

A radiant tale of adventure and friendship. (Picture book. 4-8)

Pub Date: April 30, 2024

ISBN: 9781250246721

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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