A richly textured vision of life that’s pungent and disorderly but vibrant all the same.
Violence, drugs, and women on the edge heighten the chaos of this memoir.
Nanfito looks back on his picaresque life from 1970 to 1981, encompassing his teens and early 20s, when he left home to escape his father, bounced around California as a journeyman metal worker, and transported drugs up and down the West Coast. His ripe book unfolds in loose-jointed, episodic chapters that read like short stories, most of them centered on pivotal moments and relationships with various people. They include a Roman Catholic priest who spent four years trying to groom the adolescent author for the clergy by cultivating his love of literature and art (Nanfito’s piquant pencil drawings grace the memoir); a youth who tried to rape him at the age of 14; and a Vietnam veteran he befriended who was haunted by his wartime experiences. Many vignettes center on women who walk on the wild side, including a hitchhiker and former Haight Ashbury communard who started riding shotgun on narcotics deliveries; a sex worker whom he rescued from an assault, getting a knife wound in the process; an aging stripper who took a liking to him that she expressed in the ladies’ room; and a woman who was once thrilled to take up with a drug kingpin but then yearned to be free of him. Nanfito’s pieces meditate on themes of escape and self-fulfillment, especially from social strictures that keep people from a more intensive immersion in life. His writing is a blend of philosophical meditation—Plato’s speculations on the soul keep cropping up—and a rapt, evocative attention to gritty impressions, couched in punchy, dynamic prose. (Stopping for gas during an urgent drug run, he writes, he spied “a blonde woman with a backpack at her feet sitting on the table top lounging in the sun, smoking, drinking a beer. All smiles and eyes as I pass by. Plan already running off the rails.”) Sprinkled in are the author’s poems, by turns searing and lyrical, which ambivalently convey pain and the strength that comes from it. (“I hate that you hit me but / I love how you release that venom.”) The result is a captivating account full of stark incidents with shaded, nuanced meanings.
A richly textured vision of life that’s pungent and disorderly but vibrant all the same.Pub Date: Nov. 23, 2021
ISBN: 979-8-7686-4472-7
Page Count: 199
Publisher: Self
Review Posted Online: June 13, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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