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ALLOW ME TO INTRODUCE MYSELF

A parable for the social media age that critiques without resorting to alarmism or preachiness.

Scarred by a childhood and adolescence spent as the face of her stepmother’s social media empire, a London woman tries to protect her little sister from the same fate.

Aṅụrị Chinasa is not okay. While she runs two thriving businesses and, at 25, has enough money to afford a two-bedroom apartment in London, she struggles with alcoholism, likes to verbally abuse consenting men online, and is semi-estranged from her father, Nkem, and her stepmother, Ophelia. Enabled by Nkem, Ophelia, a famous blogger, made a name for herself on the back of her experiences raising Aṅụrị, sharing photos, videos, and anecdotes that won her millions of fans and lucrative sponsorships. For Aṅụrị, the material benefits of such fame and fortune couldn’t outweigh the social and emotional drawbacks—constant scrutiny, a lack of anonymity, even a kidnapping attempt—but Nkem and Ophelia didn’t see it that way. When Aṅụrị cut ties with the business at age 18, she was soon replaced by Nkem and Ophelia’s new baby, Noelle. Five years after Noelle’s birth, Aṅụrị, still suffering the ill effects of hypervisibility, sues Ophelia in an attempt to force her stepmother to expunge her social media accounts and commercial ventures of anything Aṅụrị-related. Roughly around the same time, the relentlessly momagered Noelle begins to exhibit worrisome behavior. Concerned for her sister’s welfare, Aṅụrị undertakes a new crusade against the backdrop of the ongoing lawsuit: to liberate Noelle from stardom. For all the righteousness of Aṅụrị’s cause, Nwabineli’s cleareyed narrator resists the temptation to wholly vilify Nkem and Ophelia; brief chapters told from their perspectives, coupled with the narrator’s occasional injections of background information, offer insight into why they made the mistakes they did. In many ways, this novel recalls Zadie Smith’s White Teeth (2000). Both novels foreground immigrants and immigrant struggles, including racism and xenophobia (Nkem and an infant Aṅụrị emigrated to England from Nigeria after Aṅụrị’s mother died; Ophelia’s contrasting whiteness is a subtle point of tension); both novels have the same sweeping third-person-omniscient point of view, peppered with wry observations about life and humanity. Though it isn’t a modern classic like White Teeth, this novel tells a moving, thought-provoking story that interrogates the toxic and parasocial dynamics associated with influencing.

A parable for the social media age that critiques without resorting to alarmism or preachiness.

Pub Date: May 28, 2024

ISBN: 9781525896033

Page Count: 320

Publisher: Graydon House

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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