A powerful antidote to whitewashed cultural mythology.
The true story of a young enslaved woman who escapes the family of George Washington.
“Ona Judge, Ona Judge / Why you run away / Ona Judge?” So begins this inquiry into her quest for freedom; the question is repeated throughout the narrative. “You had fine dresses [and] soft shoes” and other material benefits most enslaved people lacked. Ona is passed around the Washington family, first a playmate for the children, then a personal servant and seamstress for Martha Washington, never working in the fields. But when an aging Martha gives Ona to her granddaughter Eliza, “now a mean and sassy woman,” Ona walks out into the Philadelphia night. Here, the tenor of the text changes—“Didn’t you know you broke the law?”—and the illustrations become dark as she makes her way around corners and hides in a basement. A framed picture—a departure from the full-bleed pages and spreads that depict the current action—gives a glimpse of her future family life: “You dreamed a dream / You would make true.” As she reaches a boat, and freedom, day breaks and readers see the first hint of Ona’s smile. “Then run, Ona Judge, run.” With a distinctive, haunting voice, powerful images, and thought-provoking story structure, this unique look at a remarkable young woman’s life choices and decisions offers an utterly necessary but seldom highlighted perspective on the contradictions within our society’s foundations. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 42.1% of actual size.)
A powerful antidote to whitewashed cultural mythology. (author’s note, timeline, bibliography, places to visit) (Informational picture book. 4-9)Pub Date: Jan. 5, 2021
ISBN: 978-0-374-30704-2
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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