A first-rate introduction to paleontology for young readers and a fine conversation sparker.
We’re more closely related to our prehistoric ancestors than we realize.
The author opens this intriguing book provocatively—“We are human animals”—to introduce to readers a Paleolithic dark-skinned, dark-eyed family who lived in what’s now France circa 25,000 years ago. In clearly written prose, she supports her proposition that early people’s lifestyles were somewhat comparable to humans’ lives today. For example, this family’s and their neighbors’ lives were governed by the seasons and nature’s cycles; they banded together cooperatively; they were creative and made art and objects; they wondered about their world and used language. Such ideas will resonate with children, who will be fascinated to learn present-day humans are somewhat connected to very long-ago folk—and, in some ways, may still be compared to them. Adults presenting this volume should encourage kids to discuss their ideas about commonalities shared by present-day and prehistoric people and to consider the author’s use of animals to describe humans and whether they believe this word choice is apt. The digital illustrations, enhanced with handmade textures, are colorful and evocative; children will enjoy the realistic, warm scenes of the prehistoric world and appreciate the similarities portrayed between the worlds of then and now. Endpapers feature faces of racially diverse people. Excellent backmatter concludes the book. (This book was reviewed digitally.)
A first-rate introduction to paleontology for young readers and a fine conversation sparker. (author’s note, examples of prehistoric artifacts) (Informational picture book. 5-9)Pub Date: March 7, 2023
ISBN: 978-0-8028-5601-2
Page Count: 52
Publisher: Eerdmans
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
An in-depth and visually pleasing look at one of the most fundamental forces in the universe.
An introduction to gravity.
The book opens with the most iconic demonstration of gravity, an apple falling. Throughout, Herz tackles both huge concepts—how gravity compresses atoms to form stars and how black holes pull all kinds of matter toward them—and more concrete ones: how gravity allows you to jump up and then come back down to the ground. Gravity narrates in spare yet lyrical verse, explaining how it creates planets and compresses atoms and comparing itself to a hug. “My embrace is tight enough that you don’t float like a balloon, but loose enough that you can run and leap and play.” Gravity personifies itself at times: “I am stubborn—the bigger things are, the harder I pull.” Beautiful illustrations depict swirling planets and black holes alongside racially diverse children playing, running, and jumping, all thanks to gravity. Thorough backmatter discusses how Sir Isaac Newton discovered gravity and explains Albert Einstein’s theory of relativity. While at times Herz’s explanations may be a bit too technical for some readers, burgeoning scientists will be drawn in.
An in-depth and visually pleasing look at one of the most fundamental forces in the universe. (Informational picture book. 7-9)Pub Date: April 15, 2024
ISBN: 9781668936849
Page Count: 32
Publisher: Tilbury House
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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