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BEST WISHES

From the Best Wishes series , Vol. 1

A coming-of-age tale told with humor, compassion, and more than a touch of magic.

Be careful what you wish for.

Becca, who lives on New York City’s Upper West Side, is planning a sleepover for her 10th birthday. But her best, and only, friend, Harper, seems uninterested, admitting that she has a new best friend. After the two have a falling out, Becca is truly friendless. Everything changes when she receives a mysterious box containing a magic bracelet with a poem saying that the bracelet will ease her sadness and will provide a single wish. She is instructed to mail the bracelet forward when it is no longer needed. Becca wishes everyone wanted to be her pal, and almost immediately, kids are talking to her, complimenting her, and inviting her to sit with them at lunch. It all seems wonderful but soon gets out of hand. She now wants the bracelet off. But it’s not so easy. Becca narrates her story via a letter to an unknown Addie Asante, describing in meticulous detail her adventures in the realm of magic, holding nothing back as she questions events, eventually finding new understanding and new friends. Becca is Jewish and depicted as light-skinned in Vee’s black-and-white illustrations; she seamlessly includes descriptions of family traditions. Harper is cued South Asian. Readers will love Becca for her humor, honesty, kindness, and insecurities. Many mysteries remain unsolved, but Addie is to be the next recipient of the box and probably the hero of the next book in this new series.

A coming-of-age tale told with humor, compassion, and more than a touch of magic. (Fantasy. 8-11)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-62825-8

Page Count: 192

Publisher: Scholastic

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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