Hibernation, dedication and one long-distance friendship that will never be forgotten: a must-have when a friend moves away.
Best friends Herman and Henry pledge to stay that way through letters when Henry has to move.
Pink raccoon Henry is the first to tap out a note on his typewriter to his best buddy, bear Herman, when he settles into his new digs. Unfortunately, a quick mention of Henry’s new friends sets off a fit of jealous pique. Herman is so jealous that he cannot face writing back. Despite the lack of response, dedicated pal Henry keeps writing. Finally, something in Henry’s letters stirs Herman, and he finally writes back. Unfortunately, the post office has already started its hibernation, and sleepy bear Herman is left to deliver the letter in person. Henry’s letters are presented beneath lift-the-flap envelopes, adding realistic fun to the straightforward story. Humorous illustrations, including one especially funny thought bubble in which Herman imagines the fun that Henry is having with his new friends, are rendered in pencil and marker, with Henry’s bright pink fur popping from the pages. Herman is shown in darker colors, often in the rain or with smoke swirling about him. Occasional panels are mixed with full-page spreads, allowing readers to see all the places Herman goes in order to deliver his important letter.
Hibernation, dedication and one long-distance friendship that will never be forgotten: a must-have when a friend moves away. (Picture book. 4-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4088-3675-0
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Aug. 19, 2014
Kirkus Reviews Issue: Sept. 15, 2014
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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