Stellar fuel for the heart and mind and an expansive storytime choice.
Violet has the perfect vantage point for observing an array of celestial wonders.
A small family—a child with two adults, brown-skinned, warmly bundled in jackets and hats—spends a stargazing evening in a city park. “This is the blanket where Violet sits, / eating a sandwich, an apple, and chips.” Wolf’s cumulative rhyme begins here, then travels from the cozy red blanket to the wide universe. First, we see the full moon and the blue planet, red arrow indicating the West Coast of North America, where the sun is setting. “This is the yellow star orbited ’round // by the small blue planet with moon so pretty / that shines on the park in the bustling city, / home to the blanket where Violet sits….” Stars shine in a deep blue sky; planets line up in bright colors. Then, “This is the galaxy, spiraling white….” Tobia’s perspectives shift from Violet and parents, gazing through a telescope, to an aerial view of their city, to the far reaches of the solar system, the galaxy, and beyond, and back again to Violet. The full-bleed illustrations picture deep space, pinwheels of stars, and distant galaxy clusters within the reach of a child’s imagination. The snack (“a sandwich, an apple, and chips”), the memorable rhyme, and the very big idea all affirm that the child is at this moment the center of the vast universe. (This book was reviewed digitally.)
Stellar fuel for the heart and mind and an expansive storytime choice. (Picture book. 3-7)Pub Date: Aug. 30, 2022
ISBN: 978-0-7636-9665-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
A rite of passage seen through the lens of a favorite literary pal.
Llama Llama loses a tooth for the first time.
All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)
A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-20603-4
Page Count: 40
Publisher: Viking
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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