Funny and spirited (and secretly educational, but nobody will notice).
Punctuation with pizzazz.
How does an exclamation mark learn his purpose? Pre-readers and readers alike will giggle and cheer to see the process. The setting is a warm yellowish beige background with a faint pulpy pattern and repeating horizontal lines with dotted lines halfway between them—penmanship paper. Each bold, black punctuation mark has a minimalist yet expressive face inside its circular dot. “He stood out,” explains the first page, as the titular protagonist looks on doubtfully. He tries hanging around with periods, but squishing his extension down into a spring doesn’t really work; even prostrate, “he just wasn’t like everyone else. Period.” (Hee! Rosenthal gleefully puns instead of naming any punctuation.) Mournful, “confused, flummoxed, and deflated,” the exclamation mark’s line tangles and flops. Then someone unexpected arrives. “Hello? Who are you?” queries the newbie, jovially pummeling the exclamation mark with 17 manic inquiries at once. “Stop!” screams the exclamation mark in enormous, bumpy-edged letters—and there’s his identity! The outburst’s anxious vibe dissipates immediately (and the question mark is undaunted by being yelled at). Finally, the protagonist has “[broken] free from a life sentence.” Snapping up usages that match his newfound personality, he zooms back to show the other punctuation marks. The zippy relationship between exclamation mark and question mark continues beyond the acknowledgements page.
Funny and spirited (and secretly educational, but nobody will notice). (Picture book. 4-8)Pub Date: March 1, 2013
ISBN: 978-0-545-43679-3
Page Count: 56
Publisher: Scholastic
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
PROFILES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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