by Andrea Pippins ; illustrated by Andrea Pippins ‧ RELEASE DATE: April 7, 2020
A sweet work that promotes love and belonging.
It takes both family and community support early on to encourage children to grow up to be their full authentic selves.
New life often sparks conversation from excited family around whom the expected child may look like in the family or what they may grow up to be. Pippins here explores how one African American family celebrates their newest addition. Addressing the newcomer, the narrator speculates about which qualities and enthusiasms demonstrated by loved ones the babe might share. This heartfelt narrative speaks to everyday experiences, whether a family get-together, camping, or baking. Pippins goes a step beyond family to layer this narrative with the important role community plays in the black experience. From wondering whether the child will be like family members, such as “your cousin Curlena [who] is loud and joyful,” the narrator moves on to wonder if the child will “find beauty in all that you see, like Ms. Jess” or “be compassionate, like Alessandra.” The striking, posterlike pictures are filled with bold characters engaging in both activism and quiet contemplation in addition to homey activities. Characters are all different shades of brown, reinforcing a sense of vibrant diversity (though there is no recognizable LGBTQ or disability representation here). Older kids will relate to hearing adults talk about whom they resemble, whether in appearance or personality.
A sweet work that promotes love and belonging. (Picture book. 2-5)Pub Date: April 7, 2020
ISBN: 978-1-9848-4948-9
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by Audrey Penn ; illustrated by Barbara L. Gibson ‧ RELEASE DATE: April 1, 2014
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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